DEKKADANCERS is a major dance company, significantly influencing the development of contemporary dance and dance theatre and undoubtedly the taste of the audience in a wider context.
New Ballet mécanique/ Half Life: Opera Ballet Vlaanderen between intellectualism and showmanship
Opera Ballet Vlaanderen’s 23/24 season commenced with a double bill combining a première of Richard Siegal’s brave but inaccessible New Ballet mécanique with the critically acclaimed showstopper Half Life by Sharon Eyal.
Czech Dance Database provides now information about foreign countries
The Czech Dance Database portal, where you can find events, opportunities, organisations and people in one place, has so far focused on the Czech dance scene.
Sustainability of dance media - Inspirational meeting with foreign editors
The long-term strategy of Czech Dance News is not only to develop reflection on the art of dance, but also to care for those who are engaged in this reflection. To provide new information, impulses and examples of good practice from abroad.
The Seven Sins – Gauthier Dance Offers a Modern Take on an Ancient Concept
In an ever more secular and indulgent world, we often forget about the moral values that our society was built on. Stuttgart’s second biggest dance company asks us to remind ourselves of these values, as well as to examine their relevance in our modern lives.
Cold Hawaii and DEMONstratio at STUK – The Politics of Abstract Spaces
What does it mean to be radical today? At the vanguard of the Belgian contemporary dance scene, STUK might be as good a place as any to check the temperature.
Call for papers for the new Dance Context Journal 2024: Dance in Public Space
After six issues of the Special Edition, Taneční aktuality is introducing a new format of its publication. Dance Context Journal, under the editorial leadership of Petra Dotlačilová and Zuzana Rafajová, is the direct successor to the Special Edition.
ImPulsTanz Or When All Of Vienna Is Dancing
One of the largest and oldest dance festivals in Europe takes place every July in Vienna. Dozens of different dance workshops, up to eight full-length performances and other accompanying programmes, including films or open-air classes, are offered every day in several cultural institutions and outdoor spaces.
Tanz im August - A Multi-Dance World
The 35th edition of Tanz im August (TiA) marks Ricardo Carmona’s first as artistic director. Carmona is a former dance and performance curator for Hebbel Am Ufer, presenting a programme that reconsiders the conceptual and physical versatility of contemporary choreographic gesture through the search for new narratives, facing the current climate, and political urgency.
Launch of the Special Edition 2023 in Ostrava with British critic Jonathan Gray
This year's Special Edition, the sixth in a row, focuses on the theme of Dance and Words. It presents a diverse mixture of different views and opinions of both Czech and foreign authors on the subject, and for the first time also presents a section of peer-reviewed studies.
BRAVO! theatre opens its 4th theatre season with local Losers Cirque Company and new guests
The new circus and pantomime theatre in Braník, Prague, will start its fourth season at the end of September. During this season, the BRAVO! theatre will host a number of regular and new guests as well as the local new circus group Losers Cirque Company.
“I would hate to be a young writer now,” says former editor of Dancing Times Jonathan Gray
Jonathan Gray was the last editor-in-chief of the world-renowned magazine Dancing Times. Unfortunately, after the coronavirus pandemic, the magazine announced its closure with the issuing of one last edition in September 2022
Ricardo Carmona - Layering Tanz im August Festival
Appointed as the new director of the Tanz im August festival after nine editions curated by Virve Sutinen, Berlin-based Ricardo Carmona talks about his curatorial perspective for the 2023 edition, interweaving curatorial issues, biographical elements, and global challenges.
“Friendship is a foundational part of criticism,” interview with Anette Therese Pettersen
I met Anette Therese Pettersen this spring at the international seminar Dance Criticism in a European Context, which Taneční aktuality organised with the Czech Dance Platform.
Alexei Ratmansky: 'The question of the future of Russian art is not relevant now'
Choreographer Alexei Ratmansky is in many ways a fascinating man. A world traveller who at the age of thirty-six became artistic director of one of the world's most prominent ballet companies, the Bolshoi Theatre in Moscow.
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Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species