Approximate Sonata 2016 (1996, 2016), One Flat Thing, reproduced (2000), and Blake Works I (2016) are the pieces by star choreographer William Forsythe that were premiered by Staatsballett Berlin.
Elisa Frasson
Elisa Frasson is an Italian dance researcher with extensive experience in the curatorship of screendance events and dance in urban spaces. Recently she has been writing for Tanzschreiber, a platform for critiques on Berlin dance events and working as field researcher for Cantieri Culturali Firenze (IT). In 2022, she was awarded a Dis-Tanz-Solo stipend (Dachverband Tanz Deutschland) for a project on dance and criticism. She is currently working with laborgras dance company (Berlin, DE) for the documentation research of their new dance creation. Elisa holds a PhD in Dance Studies (University of Roehampton, London).
Texty autora
Tanztage Berlin 2024 — Choreographing Complexity Through Emerging Dance Artists
Attending Tanztage Berlin is like diving into a warm, enveloping magma of varied dance vocabulary, where the fluidity of the aesthetic codes presented goes hand in hand with tackling urgent current political themes.
Tanz im August - A Multi-Dance World
The 35th edition of Tanz im August (TiA) marks Ricardo Carmona’s first as artistic director. Carmona is a former dance and performance curator for Hebbel Am Ufer, presenting a programme that reconsiders the conceptual and physical versatility of contemporary choreographic gesture through the search for new narratives, facing the current climate, and political urgency.
Ricardo Carmona - Layering Tanz im August Festival
Appointed as the new director of the Tanz im August festival after nine editions curated by Virve Sutinen, Berlin-based Ricardo Carmona talks about his curatorial perspective for the 2023 edition, interweaving curatorial issues, biographical elements, and global challenges.
Biennale Danza - Altered States in Venice #2
After experiencing the first couple of days, I returned to catch some glimpses from the third and final week of the festival, including the powerful TAO Dance Theatre, recently awarded the 2023 Silver Lion, Biennale College Choreographers’ well put together pieces, and the choreography for objects by Andrea Salustri.
Biennale Danza – Altered States in Venice #1
Located in the stunning buildings of the Arsenale di Venezia, the Teatro Malibran, and Ca' Giustinian (Venice), and Teatro del Parco (Mestre), the Biennale Danza’s three-week programme represents a festival with an international character...
Stravinsky – Rewriting Tradition and Transmitting Icons
As its last première of this spring season, Staatsballett Berlin presented a Stravinsky double-bill, featuring two of the composer’s masterpieces, Petrushka and The Rite of Spring, under the choreographic signatures of Marco Goecke and Pina Bausch.
Messa da Requiem – When Death is Such a Beauty
Messa da Requiem is a 2016 piece created by German choreographer Christian Spuck for Ballet Zurich based on the well-known music by Giuseppe Verdi.
Das Fest – A Kinaesthetic Celebration
At the end of November, Berliner dance collective laborgras together with ensemble Continuum presented Das Fest to a sold-out Theater im Delphi, a dance piece bringing contemporary dance and Baroque music together.
La Caresse du Coma ft. Yolo – A Performative Search for a Kind of Happiness
In La Caresse du Coma ft. Yolo, artists Anne Lise Le Gac together with musician and performer Loto Retina create a quasi-shamanic experience through fictional and theatrical means.
Monument 0.10: The Living Monument – Furiously Slow Journey into the Darkness of Colour
Created for the Norwegian National Company for Contemporary Dance Carte Blanche by choreographer and costume designer Eszter Salamon, Monument 0.10: The Living Monument opened the 14th edition of Oktoberdans International Dance Festival Bergen (Norway).
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Tanztage Berlin 2024 — Choreographing Complexity Through Emerging Dance Artists
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Rush – Imaginative Retrospective with a Touch of Humour
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Giselle by English National Ballet - rich in all the historical details, yet shallow at times
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La Strada as a life journey through circus archetypes
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There is no limit to our love for ballet. Forsythe premiered at the Berlin Staatsballett.
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Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species