dance

In recent months, the debates within the Czech dance industry have become somehow hysterical. Studio Alta, the most progressive Czech production platform...

Panoptikum (Freak Shows), a new addition to Lenka Vagnerová & company repertoire, is a picturesque noir piece staged as a lavish cabaret fresco. 

The Ostrava ballet company’s dramaturgs are always seeking and inviting interesting foreign dancemakers. 

On the occasion of the première of Don Quixote in the Slovak National Theatre on 22 November 2019, the dance theorist and critic Jana Hošková was presented with the Petipa Heritage Fund Award.

The French-born artist Cécile da Costa has presented her solo performance Roselyne in Prague’s Studio Alta. 

Meeting a young artist, who has devoted his time and energy to dance teaching and coaching of professional dancers, is a truly uplifting experience. 

Resurrection. That is what we can call the current events around the Prague Chamber Ballet. The company, which was founded in the mid-1960’s, enjoys certain sentiment from Czech audiences who keep the company going.

As is seems, there’s been a growing discourse on the issue of dance criticism recently. What purpose does (or should) dance criticism serve?

The Spitfire Company is preparing the première of the last instalment of the Constellations trilogy, subtitled My Son Looking to the Sun.

Martin Divíšek has been nominated in the photo contest Czech Press Photo (the category of Art and Culture) for his series of photos from rehearsals and performances of the Czech National Ballet’s Swan Lake.

Brno National Ballet opened the new season with a lavish production of La Bayadère, a ballet which has become part of the company’s repertoire for the third time in its history. 

Years ending in the number 9 have witnessed major and life-changing events in our country’s history.