Interviews

The preparations of the production of Radio Free Cunning Little Vixen were cut short by the COVID-19 pandemic days before the première. 

She arrived at our meeting right from the Dance Department (HAMU) where she had been selecting applicants for an exchange programme in America which she organised.

Alina and I met in a café near the National Theatre last autumn. During our conversation, she laughed after every other sentence, using wild gestures and carefully checking her pronunciation...

I will never forget meeting Šárka Maršíková for the very first time. It was in Paris, 2008, where I had settled to write my diploma thesis on new circus.

He enrolled at a conservatoire only to improve his pirousettes. He devoted all his childhood and teenage years to Latin-American dances and believed he would do it forever.

In recent months, the debates within the Czech dance industry have become somehow hysterical. Studio Alta, the most progressive Czech production platform...

Ballet company of the National Theatre in Prague prepared two premieres in one month.

Meeting a young artist, who has devoted his time and energy to dance teaching and coaching of professional dancers, is a truly uplifting experience. 

I’m meeting Michal Krčmář after more than three years. We are in Brno, where he is preparing for his guest appearance in Jaroslav Slavický’s renewed première of La Bayadère. 

We have known each other for many years. We met for the first time as students in the Ledebour Palace, which then housed the Dance department of the Music Academy of Performing Arts...

Mário Radačovský, a Slovak native and the current artistic director of the Brno National Theatre ballet, has been the head of the second biggest Czech company for five years. 

I met Marika Hanousková in one the Liberec theatre’s changing rooms, right after the reprise of Margaux Thomas‘ The Little Prince. 

The Royal Swedish Ballet in Stockholm is preparing for the fifth and last premiere of this season, which will take place on the 17th of May 2019.

How is the Czech ballet star, long-time first soloist of the National Theatre in Prague, getting used to his new role? 

Dangerous Liaisons is a well-known eighteenth-century epistolary novel and a 1988 movie classic, but it has also been adapted for theatre...