Interviews

It took a long time before we agreed on a date and time for our online meeting. We were both nervous about missing the meeting when we connected, as London, where Daria Klimentová was connecting from, was an hour less than the Czech Republic.

After long negotiations, the curators of the TANEC PRAHA festival have finally managed to get the world-famous Greek director Dimitri Papaioannou to come to the Czech Republic. He will present his new work Transverse Orientation...

Barbora Kohoutková stood on stages around the world and met leading figures of the dance scene. During her career, she gained rich experience, which she has now passed on since the end of last year in the role of ballet mistress of the Czech National Ballet.

I have met up with the members of the SPOLK collective in a virtual space. Their project called S dovolením (Excuse me!), though still a work-in-progress, caught my attention shortly before the autumn closure of theatres. 

The Czech National Ballet is bringing another online world premiere this week. Scheduled to be presented over the company’s YouTube channel on Thursday, March 25, Dos Solos Soles

Determined not to rob its audience of an exceptional experience, the Czech National Ballet is going to publish video recordings of three brand-new performances (originally presented under the umbrella title Phoenix) on its YouTube channel.

Dance Film Festival Prague is going to happen in May, but organisers of this event already have now prepared a little teaser for its audience. 

A half a year ago, Radim Vizváry was invited for collaboration by Laterna Magika, initially to represent the Czech Republic at Expo and create a brand-new piece, and eventually to become Laterna’s artistic director.

The artistic director of the ballet ensemble of South Bohemian Theatre in České Budějovice, Lukáš Slavický, celebrated his 40th birthday on September 17th.

Miřenka Čechová is a leading contemporary creator of multi-genre performances. She describes herself as a workaholic and a perfectionist. 

The preparations of the production of Radio Free Cunning Little Vixen were cut short by the COVID-19 pandemic days before the première. 

She arrived at our meeting right from the Dance Department (HAMU) where she had been selecting applicants for an exchange programme in America which she organised.

Alina and I met in a café near the National Theatre last autumn. During our conversation, she laughed after every other sentence, using wild gestures and carefully checking her pronunciation...

I will never forget meeting Šárka Maršíková for the very first time. It was in Paris, 2008, where I had settled to write my diploma thesis on new circus.

He enrolled at a conservatoire only to improve his pirousettes. He devoted all his childhood and teenage years to Latin-American dances and believed he would do it forever.