Josef Bartoš
Josef Bartoš is a dance writer and editor-in chief in Taneční aktuality. Graduated from Duncan Centre conservatory got his MA and PhD in Dance Studies from the Academy of Performing Arts in Prague. At the same time, he received MA in psychology at Charles University in Prague. As an author, he works as well with Mozaika of Czech Radio and Artzóna of Czech Television. As a teacher, he is a lecturer of dance history, theory and management at Czech conservatories as well as at the Academy of Performing Arts in Prague.
He is a member of the expert committee for professional dance at the Ministry of Culture of the Czech Republic, the Czech Academy of Theatre Studies, the Association of Czech Theatre Critics and the Dance Studies Association. In his scientific and research activities he focuses on psychological aspects of dance art. ORCID ID: 0009-0009-4418-2516.
Texty autora
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Tanztage Berlin 2024 — Choreographing Complexity Through Emerging Dance Artists
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Rush – Imaginative Retrospective with a Touch of Humour
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La Strada as a life journey through circus archetypes
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Giselle by English National Ballet - rich in all the historical details, yet shallow at times
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There is no limit to our love for ballet. Forsythe premiered at the Berlin Staatsballett.
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Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species