After long negotiations, the curators of the TANEC PRAHA festival have finally managed to get the world-famous Greek director Dimitri Papaioannou to come to the Czech Republic. He will present his new work Transverse Orientation...
Lucie Hayashi
Mgr. MgA. Lucie Hayashi, Ph.D., maiden name- Burešová (*1983), finished doctoral studies at Music and Dance Faculty of Academy of Performing Arts in Prague (HAMU) in Dance Science/Dance Theory and got her master degree also from Japanese Studies at the Charles University in Prague. Besides dance journalism and production, she works on anthropological research of Japanese dance. Hayashi is cooperating on Japanese theater and dance productions, she, for example, choreographically prepared Madama Butterfly 2016 (ND Prague, directed by J. Heřman) and Nonomiya 2014 (NDM Ostrava, directed by J. Nekvasil) or spectacle Haiyu to Ame 2016 (Švandovo divadlo Praha, directed by Kristýna Loužecká ). She is assistant director of The National Theatre Opera in Prague and secretary of the HAMU Dance Department. She is lecturing Japanese dance and theater at the Faculty of Arts of Charles University and Academy of Perfroming Arts, where she is also teaching the Dance management and production and Performing Arts Management. She is the founder and editor of Taneční aktuality, an online Dance News Magazine, where she publishes regularly reviews, interviews or articles about dance.
Texty autora
Interviews
– Lucie Hayashi
Radim Vizváry: "I’d love to revisit the idea of Mr Radok and Mr Svoboda that Laterna magika is a multimedia theatre and a space for experiment.“
A half a year ago, Radim Vizváry was invited for collaboration by Laterna Magika, initially to represent the Czech Republic at Expo and create a brand-new piece, and eventually to become Laterna’s artistic director.
Reports
– Lucie Hayashi
Round table about Tanec Praha
On September 24, 2020, the Ponec Theater hosted a debate between artists and representatives of the Tanec Praha organization, which has long influenced the dance scene in the Czech Republic.
Reviews
– Lucie Hayashi
I.A.M.A.I.: Confession of decadent dancers on a crossroad
When the promising company announced its closure early this year (probably due to a near-burnout experience), many fans shed a tear.
Reviews
– Lucie Hayashi
Pink Samurai: Fresh wind of the new season
Heroes. We all love them, need them, and worship them. In these difficult times even more than ever. They tend to reflect our desires, dreams, and wishes, they accompany us on our journey...
Interviews
– Lucie Hayashi
Lukáš Slavický: „Ballet is like a cut piece of jewellery... A kind of Black Badge of Rolls Royce.“
The artistic director of the ballet ensemble of South Bohemian Theatre in České Budějovice, Lukáš Slavický, celebrated his 40th birthday on September 17th.
Reviews
– Lucie Hayashi
Alena Pešková’s Snow White: Through the eyes of children, through the heart of a mother
The first première of 2020 has been presented by the Pilsen ballet. The J K Tyl Theatre ballet company has recently received the Balet 2019 Main Award...
Interviews
– Lucie Hayashi
Lucia Kašiarová on Studio Alta: “When something ends, something new begins.”
In recent months, the debates within the Czech dance industry have become somehow hysterical. Studio Alta, the most progressive Czech production platform...
Reviews
– Lucie Hayashi
A Bouquet for the whole family
The J. K. Tyl Theatre ballet company has decided to spice up the first days of school with a new premiere - the ballet Kytice (A Bouquet of Czech Folktales).
Interviews
– Lucie Hayashi
MICHAL ŠTÍPA: “SITTING HELPLESSLY IN THE AUDITORIUM IS A BRAND NEW FEELING FOR ME.“
How is the Czech ballet star, long-time first soloist of the National Theatre in Prague, getting used to his new role?
Interviews
– Lucie Hayashi
Who is Honza Kodet?
The choreographer Jan Kodet needs no long introduction. However, not everybody has had the opportunity to know him personally...
MOST POPULAR
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Dimitris Papaioannou: „I am a better painter on stage than on paper“
Interviews -
Open call: Writing about dance (in the time of Corona)
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Open panel discussion Dance Criticism in the Time of Corona
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The 2021 Special Edition of Taneční Aktuality Explores the Subject of Dance and Education
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metaBALLERINAS – The Importance of Raising Your Voice
Reviews
POSLEDNÍ KOMENTÁŘE
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Josef Bartoš
Milý Filipe, děkujeme za upozornění, chyby jsme ihned opravili. Mrzí nás to. Jak sám dobře víte, textům věnujeme značnou…Místo Velkého třesku menší zemětřesení
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Ví Dvořák
Romane, moc pěkný rozhovor, děkuju Vám!Nelly Danko: „Jsem v podstatě introvert.“
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Filip Staněk
Dobrý den, komentářům na internetových portálech se vyhýbám jako muzikálu, tento jev mě ale rozčiluje už dlouho:…Místo Velkého třesku menší zemětřesení
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Libor Vaculík
Konečné rozhovor na úrovni - hezké čtení! I já, ktrerý znám Nelly 40 le,t jsem se dozvěděl něco nového!!!Nelly Danko: „Jsem v podstatě introvert.“
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Josef Bartoš
Dle zápisu (bod č. 28) z jednání Rady hl. m. Prahy dne 14. června byl od 1.8. jmenován ředitelem Petr…Vize tance, Duncan Centre a „SVINSTVO“
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Jitka Tázlarová
Připouštím, že u některých úředníků zastávajících vysokou funkci ve školství existuje určitá pedagogická nevědomost a…Vize tance, Duncan Centre a „SVINSTVO“
Anna-Maria Asztély (Anita Kajlichová)
Jsem členka zakládajíciho souboru Laterny, hlavní role v prvých programech.Celé dlouhé roky z ciziny Laternu sleduji v…
Odchod z Laterny magiky – Rozhovor s Pavlem Knollem a vyjádření Jany Dvořákové