A Room by the Sea by Yeh Ming-Hwa was presented at Oktoberdans Festival 2022 in Bergen. The choreographer takes momentary dives into the stories of female icons from dance history.
Parvathi Ramanathan
Parvathi Ramanathan is a dancer, researcher and writer who has early morning affairs with poetry. She has a foundation in Indian classical dance forms such as Bharatanatyam and Odissi and is a certified Dance Movement Therapy Facilitator. In her written work, she is curious about the body’s as a repository of layered identities. She holds an MPhil in Theatre and Performance Studies from Jawaharlal Nehru University, New Delhi and is a recipient of the Arts Research Grant by the India Foundation for the Arts. Parvathi was a core member of Gati Dance Forum where she led the creation and publication of Tilt Pause Shift: Dance Ecologies in India. She now writes and performs with her base in Berlin.
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Tanztage Berlin 2024 — Choreographing Complexity Through Emerging Dance Artists
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Rush – Imaginative Retrospective with a Touch of Humour
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Giselle by English National Ballet - rich in all the historical details, yet shallow at times
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La Strada as a life journey through circus archetypes
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There is no limit to our love for ballet. Forsythe premiered at the Berlin Staatsballett.
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Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species