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On Monday 3 June 2019, the gallery of the Music and Dance Faculty of the Academy of Performing Arts (HAMU) will host a conference and debate named Dance in Czech Cultural Policy.

The Prague Chamber Ballet spent the last few years searching an identity, a route to be accepted as a full-bodied part of the Czech scene. 

The Royal Swedish Ballet in Stockholm is preparing for the fifth and last premiere of this season, which will take place on the 17th of May 2019.

Prague Chamber Ballet is closing on 1 June 2019, the reason being a chronic lack of public sources of funding, according to the company director Ladislava Jandová.

The Thalia Awards are changing - they must react to what is going on in the theatre world; newly they will not be presented after a calendar year but after a season, the categories are transforming too…

From the 1st to 4th of April 2019, the twenty-fifth edition of the Czech Dance Platform took place. The Programming Council selected eleven performances...

“The ballet Petite Mort marked Jiří Kylián’s first choreography in the repertoire. In the revival of the work after the reconstruction of the Janáček Theatre...

If there is any piece of drama in the dance world that inspires creators by its emotional depth, captivating atmosphere, and tragic dénouement...

The anniversary 25th Czech Dance Platform culminated traditionally in the final presentation of awards. Czech Dance Platform Awards were presented to...

How is the Czech ballet star, long-time first soloist of the National Theatre in Prague, getting used to his new role? 

On 13 March 2019, Růžena Mazalová, a prominent Czech choreographer, ballet master, pedagogue, and dancer, died at the respectable age of ninety-three.

In the past two weeks, the Ponec Theatre has hosted two premieres. 

The latest ballet premiere at the National Moravian-Silesian Theatre in Ostrava is another well-thought-out move of the ballet company’s artistic director Lenka Dřímalová. 

On 13 March 2019, Jiří Kylián, a world-renowned choreographer, was inaugurated in the Académie des Beaux-Arts in the Coupole of the Palais de l’Institut de France in Paris...

The director of the Royal Swedish Ballet Nicolas Le Riche (leading the company since 2017) certainly does not deny his origins.