Renowned as a choreographer, director, performer and visual artist, Dimitris Papaioannou wears many hats but is hesitant to label himself. 

For years, I have made no secret of the fact that I dislike the identification of artists by nation of origin on posters and promotional materials. I get that certain funding applications demand international participation. 

I was used to seeing purely feminine themes on the Czech stage, usually in the form of very intimate, personal stories performed by charismatic dancers and performers. 

The National Theatre Ballet Brno is one of those daredevils who are not afraid to take risks and regularly includes original projects in its repertoire. 

The Institute for Choreology of the Music and Dance Faculty of the Academy of Performing Arts in Prague announces a call for papers for an international conference Choreology – Past and Present.

Every year, the month of May in Madrid is marked by the city’s largest festival, Madrid en Danza. Under the direction of Blanca Li, this year saw the 39th edition, featuring over twenty productions across various locations in the Madrid region.

After a series of six editions of the printed publication Special Edition of Taneční aktuality, Dance Context z. ú. comes with a new journal, Dance Context Journal.

With Overture by Spanish choreographer Marcos Morau and Angel's Atlas by Canadian choreographer Crystal Pite, the Staatsballett Berlin and its intendant Christian Spuck present an evening that reconfirms how dance is able to give something back to the world.

I have been preparing podcasts for Taneční aktuality for a couple of years now. I'm currently finishing up the Young Blood series, in which I try to show what problems dancers face at the beginning of their careers. For this discussion, I wanted to invite a National Theatre dancer.