Alina and I met in a café near the National Theatre last autumn. During our conversation, she laughed after every other sentence, using wild gestures and carefully checking her pronunciation...
Barbora Truksová
Texty autora
Interviews
– Barbora Truksová
Interview with Michal Krčmář: "Even ballet evolves and changes with every generation".
I’m meeting Michal Krčmář after more than three years. We are in Brno, where he is preparing for his guest appearance in Jaroslav Slavický’s renewed première of La Bayadère.
Columns
– Barbora Truksová
THALIA AWARDS OR LET’S NOT SPEAK ABOUT DANCE
The Thalia Awards are changing - they must react to what is going on in the theatre world; newly they will not be presented after a calendar year but after a season, the categories are transforming too…
Reviews
– Barbora Truksová
Black Box in Pilsen turned into the cramped house of Bernarda Alba
If there is any piece of drama in the dance world that inspires creators by its emotional depth, captivating atmosphere, and tragic dénouement...
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Tanztage Berlin 2024 — Choreographing Complexity Through Emerging Dance Artists
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Rush – Imaginative Retrospective with a Touch of Humour
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Giselle by English National Ballet - rich in all the historical details, yet shallow at times
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La Strada as a life journey through circus archetypes
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There is no limit to our love for ballet. Forsythe premiered at the Berlin Staatsballett.
Reviews
Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species