After a series of six editions of the printed publication Special Edition of Taneční aktuality, Dance Context z. ú. comes with a new journal, Dance Context Journal.
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Corps de Ballet Power! Premiere of Overture at the Berlin Staatsoper
With Overture by Spanish choreographer Marcos Morau and Angel's Atlas by Canadian choreographer Crystal Pite, the Staatsballett Berlin and its intendant Christian Spuck present an evening that reconfirms how dance is able to give something back to the world.
A boycott like Fico's. Czech National Ballet doesn't understand how the media works
I have been preparing podcasts for Taneční aktuality for a couple of years now. I'm currently finishing up the Young Blood series, in which I try to show what problems dancers face at the beginning of their careers. For this discussion, I wanted to invite a National Theatre dancer.
Dance Audiences Grow as Dramatic Funding Cuts Arrive – French Spring Season
Throngs of eager spectators have lined the steps of Paris theatres in recent months, while last minute ticket seekers display homemade signs—often in vain—hoping to access sold-out performances.
Message from Marianela Núñez on today's International Dance Day
International Dance Day has been celebrated on the initiative of the International Theatre Institute (ITI) since 1982. It falls annually on 29 April, which marks the birth of the French dancer, ballet master and reformer Jean-Georges Noverre.
PONEC – dance venue has Artistic Council
PONEC – a permanent stage for contemporary dance – is undergoing significant changes. The Artistic Council, comprising three external experts, will collaborate with the renewed theatre team: Dagmar Bednáriková, Sylva Šafková and Honza Malík.
Spring Forward Festival – Where Magic Shows and Time Dances!
Guten Tag, dear reader.
This year we were in Germany for the 2024 edition of the Spring Forward Festival, which took place from 21 to 23 March. On the programme? A discovery of twenty creations by young choreographers...
The Stuttgart Ballet mourns the passing of Dieter Graefe
Dieter Graefe, former Administrator of the Stuttgart Ballet and holder of the rights to John Cranko’s ballets, passed away in Stuttgart on Saturday, April 20.
Spitfire Company, Temporary Collective and tYhle: Why are we leaving PONEC theatre?
Earlier this week we issued a press release on our Czech website about the departure of Spitfire Company, Temporary Collective and tYhle from PONEC Theatre. This marks the departure of stalwarts of the scene that have largely shaped the image of its repertoire.
In principle any kind of artistic activity can be funded, says David Dixon
The ability to raise funds for artistic activity outside the grant system increases the level of freedom and independence. But does one have to be born a fundraiser or can one become one?
Johan Kobborg choreographes Coppélia for the Baltic Opera in Gdańsk
The Baltic Opera in Gdańsk stages Coppélia by Léo Delibes in a new version. Johan Kobborg, an internationally acclaimed and award-winning Danish choreographer, was invited to collaborate on this production.
British expert David Dixon will focus on fundraising in the field of dance
Dance Context will host a lecture by UK fundraising and strategic management specialist David Dixon of TrueMotion on 16 April 2024.
UniVerse: A Dark Crystal Odyssey - A visually captivating journey through a multimedia universe
UniVerse: A Dark Crystal Odyssey is one of the latest works by the UK choreographer Wayne McGregor and his Company.
Želary as a dance drama
One of the first ballet premieres of the new year took place on the stage of the Moravian Theatre in Olomouc and it was a truly world-class event.
Royal Academy of Dance announces Alexander Campbell as its new Artistic Director
The Royal Academy of Dance (RAD) announced Alexander Campbell as its new Artistic Director. Alexander will begin his tenure in April 2024.
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“Dance is political. It’s about cultural identities and beliefs,” says Marco da Silva Ferreira, the choreographer of Carcass
Interviews
Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species